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Showing posts with label Ruth Quinlan. Show all posts
Showing posts with label Ruth Quinlan. Show all posts

Thursday, May 14, 2015

May Over The Edge: Open Reading with Luke Kennard, Ruth Quinlan, Mari Maxwell plus the LAUNCH of issue 5 of Skylight 47



Mari Maxwell & Ruth Quinlan to read with acclaimed British poet Luke Kennard at May Over The Edge: Open Reading and LAUNCH of issue 5 of Skylight 47 poetry newspaper.  

The May ‘Over The Edge: Open Reading’ takes place in Galway City Library on Thursday, May 28th, 6.30-8.00pm. The Featured Readers are Luke Kennard, Ruth Quinlan & Mari Maxwell. Ruth Quinlan is the 2014 Over The Edge New Writer of The Year and this reading is part of her prize for winning the competition. Over The Edge is currently taking entries for 2015 Over The Edge New Writer of the Year; this year the competition is judged by poet, fiction writer, and literary activist Dave Lordan, who edits The Bogman’s Cannon, by far the liveliest online literary publication in Ireland. For full details of the 2015 competition see here.


The evening will also see the launch by British poet Luke Kennard of the latest issue (no. 5) of Skylight 47 poetry newspaper, probably Ireland’s most interesting poetry publication; this issue includes poems, reviews, an interview with a leading Irish poet, and a poetry workshop with a leading British poet.  


Mari Maxwell lives in County Galway and writes fiction and poetry. She has work forthcoming in The Brasilia Review, The Ogham Stone, Macabre Maine, and Veils, Halos and Shackles International Poetry Journal on the Abuse and Oppression of Women. Her writing was highly commended in The Francis Ledwidge 2014 Poetry Award, shortlisted in the 2014 Walking on Thin Ice Short Story Contest and longlisted in the 2013 Over The Edge New Writer of the Year. She has been published in Indian Kukai, A New Ulster, Flash Flood Journal, Crannóg, and Boyne Berries. One of her stories has been shortlisted in the Cork County Library and Arts Service Short Story Competition 'From The Well.'



Ruth Quinlan is from Tralee, Co. Kerry and holds an MA in Writing from NUI Galway. She is the 2014 Over The Edge New Writer of the Year and this reading is part of her prize. Ruth also won the Hennessy First Fiction Award in 2013 and was shortlisted for the 2014 and 2012 Cúirt New Writing fiction prize.  Her work has been published by the Irish Independent, Crannóg, ROPES,  Skylight47, Emerge Literary Journal, Thresholds, SIN, and Scissors and Spackle. She has also contributed to three anthologies, Watching my Hands at Work: A Festschrift for Adrian Frazier (fiction)Abandoned Darlings (fiction) and Wayword Tuesdays (poetry). Recently, Ruth joined the editing team for Skylight47.


Luke Kennard

Luke Kennard is the author of numerous works of poetry and short fiction. His first collection of poems, The Solex Brothers, was published in 2005, and won him one of that year's Eric Gregory Awards. His second collection, The Harbour Beyond the Movie, made him the youngest writer to be nominated for the Forward Prize for Best Collection. He has since published two further full collections, and two pamphlets, one of which, The Necropolis Boat, was the Poetry Book Society's Pamphlet Choice in 2012. In addition to poetry, he writes criticism, short fiction, and is currently working on his first novel. He teaches English and Creative Writing at the University of Birmingham. Luke Kennard's poetry has been described as “witty, extravagant and provocatively genre-bending”, and features in the anthology Identity Parade: New British & Irish Poets (Ed Roddy Lumsden, Bloodaxe 2010).



After the Featured Readers have finished some contributors to Skylight 47 will read their poems from the new issue. COPIES OF THE NEW ISSUE OF SKYLIGHT 47 WILL BE ON SALE BEFORE, AFTER AND DURING THE READING. The MC for the evening will be Susan Millar DuMars. All welcome. There is no cover charge. For further details phone 087-6431748.

Over The Edge acknowledges the ongoing generous financial support of Galway City Council, Poetry Ireland, & The Arts Council.

Thursday, October 30, 2014

2014 Over The Edge New Writer of The Year: THE WINNERS



The fiction winner is Rachael Hegarty from Dublin for her short story 'Betty'. Rachael receives a cash prize of €300 and her short story manuscript will be read by Doire Press.

The poetry winner and 2014 Over The Edge New Writer of The Year is Ruth Quinlan, Galway for her poems 'The Passing', 'Home for the Holidays', and 'Painted Lady'. Ruth receives a cash prize of €700; her poetry manuscript will be read by Salmon Poetry; and she will be a Featured Reader at an Over The Edge: Open Reading during the first half of 2015. Ruth also receives a basket of books from Kenny’s Bookshop.

Highly commended in Poetry:

Maurice Devitt for ‘The Man at the Shop’

Victoria Kennefick for ‘Shanagarry’, ‘Lighthouse’, & ‘Writer's Retreat’

Angela Carr for ‘Bone Yard’, ‘CAT Scan’, ‘July, a Storm’  

Highly commended in Fiction:

Rory Duffy for ‘Young Robbins Don't Have Red Breasts’

Edel Burke for ‘Fractured’

Averil Meehan for ‘Chapter One’

You can read the shortlist here.

We thank our judge Eleanor Hooker and our sponsors: Charlie Byrne’s Bookshop; ISupply Quay Street; Ward’s Hotel; Derek  Nolan TD; Clare Daly TD; and Kenny’s Bookshop & Gallery.

Citation by Judge, Eleanor Hooker

"It was a great honour to be asked to judge the 2014 Over the Edge, New Writer Competition. Thanks to Kevin and Susan for asking me.


Writing is a transformative act; a writer takes a blank page and scratches it with words that illustrate a world peopled by characters her/his reader get to know, come to care about, or even be repulsed by, but whom, if the writer has done her/his job, the reader will continue to wonder about, after the last full stop.


Often, what successful poems, short stories and novels, have in common, is an arresting first line, verse, paragraph. However, once the writer has caught the reader’s attention, it is her/his job to carry it through, to deliver the best story/poem for that piece of writing. All of the entries on the shortlist carried through on their promise.


Writing that comes across as an academic exercise in word arrangement, will cause the reader’s bullshit alarm to sound, and that alarm may means the reader will not follow the writer to their last full stop.


2014 Over the Edge Poetry Winner &  Overall winner – Poetry Ruth Quinlan, Galway. Poems - The passing, Home for the Holidays, Painted Lady
 
The three poems in this submission resonated with me immediately. The surprise is most definitely in the turn of image; whilst the poet’s language works on behalf of the idea. Leaving prosaic noisiness behind, the words, against the natural ego of language, allow themselves to serve.  Strong emotion writes quiet, and in these poems, it hushes, it allows air to ventilate a heavy heart, it allows space between the words, room for the reader to enter, to infer.

That’s what I want from a poem; the words to work associations, ideas, stories in my imagination, not draw me back to the page, to its own cleverness.

From Home for the Holidays (a home and a history, awaiting the return of a family long left, embraces them like the love from a parent)

…to gather

and ignore the chimed appeals

of our half-filled parish church

…then

stamp our feet and huff on fingers in the hallway,

scattering the playful ghosts of childhood selves

We fling open windows and doors,

airing the house in gulping draughts,

allowing it to breathe and break

the fragile seals woven by spiders

jealously squatting in our absense

Painted Lady is about the catastrophe of aging. Sentimentality is a heartless beast; this is not a sentimental poem, it is filled, however, with the relentless heartlessness of time on the Painted Lady.

Her face and hair, once Titianesque

in rosebud curves and auburn curls

have become the illustrations

of a tattered colouring book



2014 Over the Edge fiction winner is Rachael Hegarty, Dublin.

Story Entry - 'Betty'


Betty is an engaging story, and like the telling of history from below, it takes a character that might be as invisible in real life, as they are to most of the other characters in this short story. 


The telling is such that we willingly attach ourselves to Betty as she takes us on her road trip round the 8th floor of the Central Bank, we want to help her when her trolley snags on the foyer rug (a lovely detail).

A writerly detail that caught my attention, is the movement in the story, there is some summary, (it’s nearly impossible to avoid, though we’re constantly told it should be avoided in a short story), but there is little of what James Woods call an aspic of arrest, Rachel Hegarty has Betty move and act, there is cause and effect.

Writing has a moral obligation, a character should not be debased, or introduced for the advancement of the story, (you may wonder), if they are created, it must be for themselves. I don’t believe Betty is a vehicle for the author’s agenda on class, but as a consequence of writing about Betty, we readers recognize attitudes to class.

I like that Betty is not depicted as a perfect human being, it makes her a perfect character. When she is humiliated, she acts, takes an ultimate and surprising action that absolves us of any pity we might otherwise be compelled to feel for her.

I am certain we will be hearing more of these two writers; I look forward to following their careers.

Highly commended in Poetry:

1. Maurice Devitt – Poem, The Man at the Shop

This poem is mysterious, beautiful, surreal, with echoes for me of Popa, Simic, Helen Ivory. The poet should beware not to become opaque and lose the reader.

2. Victoria Kennefick – Poems, Shanagarry, Lighthouse, Writer's Retreat

Three striking poems, what an astounding line ‘stones/are born like grudges’, The poet should avoid overused poetic tropes, these poems own originality, trust that.

3.  Angela Carr – Poems, Bone Yard, CAT Scan, July, a Storm

Three excellent poems, with stunning opening lines that absolutely grab the reader. CAT scan is an astonishing poem, well achieved. Be cautious of over-wording a thought; be confident that your turn of image will carry it.

Highly commended in Prose:

1. Rory Duffy – Short Story, Young Robbins Don't Have Red Breasts

Utterly convincing voice of the child, beautifully observed. This story has serious potential, however, beware of formatting, layout and language, it could affect whether a reader will persist.

2. Edel Burke – Short Story, Fractured

A brilliantly told story that leads the reader and exposes the dangers of their assumptions. The writer should be on their guard against hackneyed writing or clichéd characters.

3. Averil Meehan – Story, Chapter One

This story holds us from the outset, it’s ending doesn’t maintain the promise of the opening pages. Don’t go for easy resolutions, the best stories are those unwillingly told. I wonder should the author consider keeping this a short story (the title is Chapter One…could one sustain this throughout a novel?)"

Tuesday, April 01, 2014

2014 Cúirt Over The Edge Showcase Reading with Ruth Quinlan, Jennifer Matthews & Pat McDonnell PLUS this year’s Cúirt New Writing Prize winners



2014 Cúirt Over The Edge Showcase Reading with Ruth Quinlan, Jennifer Matthews & Pat McDonnell PLUS this year’s Cúirt New Writing Prize winners Colm Scully &  Philip Connor

Thursday, April 10th, 4pm

Town Hall Theatre
All welcome
There is no cover charge

The 2014 Cúirt Over The Edge showcase reading takes place as part of this year's Cúirt International Festival of Literature at the Town Hall Theatre, Galway on Thursday, April 10th, 4pm. The writers showcased this year are Ruth Quinlan, Jennifer Matthews & Pat McDonnell. The reading will be introduced by regular Over The Edge host, Susan Millar DuMars.

This event has grown since its inception in 2006 to become one of Ireland's premier platforms for showcasing new poets and fiction writers. Participating writers have previously been Featured Readers at Ireland's most successful reading series, the Over The Edge: Open Readings in Galway City Library. Colm Scully, the winner in the poetry section of this year’s Cúirt New Writing Prize, will read with the Over The Edge writers. Philip Connor, the winner in the fiction section, is unable to attend Cúirt to participate in the reading. We offer Philip our congratulations on the major achievement that winning the The Cúirt New Writing Prize is kindly sponsored by Tigh Neactain in memory of Lena Maguire.



Jennifer Matthews is originally from Missouri but lives in Cork where she works at the Munster Literature Festival. She writes poetry and book reviews, and is editor of the Long Story Short literary journal. Her poetry has been published in The Stinging Fly, Mslexia, Revival, Necessary Fiction, Poetry Salzburg, Foma & Fontanelles and Cork Literary Review, and anthologised in Dedalus's collection of immigrant poetry in Ireland, Landing Places (2010). Jennifer was a Featured Reader at the January 2013 Over The Edge: Open Reading.


Pat McDonnell writes fiction as an antidote to his work in mechanical engineering. He lives in Galway where he plays flute in pub sessions and aspires to write his one great novel. He has participated in Creative Writing classes with Susan Millar DuMars at Galway Technical Institute. He was shortlisted for the 2012 Over the Edge New Writer of the Year competition. Pat was a Featured Reader at the March 2013 Over The Edge: Open Reading. 


Ruth Quinlan is from Tralee, County Kerry. She graduated from the MA in Writing at NUI Galway in 2012. She was shortlisted for the 2012 Cúirt New Writing fiction prize and longlisted for last year's Over the Edge New Writer of the Year competition. Her work has been published by Emerge Literary Journal, Thresholds, SIN, Scissors and Spackle and she won the 2013 Irish Independent Hennessy New Irish Writing award for First Fiction. Ruth was a Featured Reader at the February 2013 Over The Edge: Open Reading.


Colm Scully is from Cork and an active member of O’Bheal Open Mic group at the Long Valley Bar. He has been published recently in Cyphers, The Stony Thursday book, Boyne Berries and The Poetry Bus. He was shortlisted for the 2012 Fish Poetry prize. He is the winner in the poetry section of this year’s Cúirt New Writing Prize.



Philip Connor is a current MA in Publishing student at University College London.  He previously worked in Galway’s Charlie Byrne’s Bookshop. He has a BA from the NUI Galway in English, History and Creative Writing. In 2013 he was awarded the inaugural Faber & Faber Scholarship which will include 5 weeks placement at Faber's London office. Philip is the fiction winner in this year’s Cúirt New Writing Prize.



Over The Edge acknowledges the ongoing support of Galway City Library, Galway City Council, The Arts Council and The Cúírt Festival of International Literature.